Three cameras on the first take, two cameras on the second take. Audio recorded to Zoom H4n with the first take. Two overdubs of spoons and shaker. Total five video tracks, and five audio tracks. Mixed and edited in Final Cut Pro.
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This is a promotional video produced for TruTech demonstrating what their new device can measure. I utilized studio lighting, stop-motion animation, and video to put this together per their needs. Stop motion photographs were edited in Adobe Camera Raw, animation was compiled and edited in Adobe Photoshop and the final was composited in iMovie. I also produced print ads and photographs of their products for their website while working for TruTech that can been seen in my Commercial Photography portfolio.
This kinetic type project was animated in Adobe After Effects. Despite not considering myself an animator, I feel this is an example of how I can sit down with a new application and learn it fairly quickly to create something worthwhile and well done.
"Travelers Song" — by Emily Buchler (myself on percussion)
I produced this in Ableton Live, recording each mic through a multi track interface. The mandolin was recorded with two SM57s in an X-Y pattern, the drum was recorded at the same time miked on the top and the bottom. Separate overdubs were added of guitar, bass, and a shaker all with a single SM57 or AT-2020. In the screen capture, as I click through each track, you can see EQ on the mandolin, dynamics compression and EQ applied to the top of the drum top, a long reverb added only to the shaker, and a gentle reverb added to the whole mix, and finally a limiter on the master track.
"(Oh How) She Flies" — demo by Corinne Bahia
visit Corinne Bahia's Bandcamp
I recorded this original piece in two parts, first the grand piano was recorded with two SM57 mics in an X-Y pattern a distance above the strings to capture some room acoustics. Using a SM58 mic, we dubbed the vocals paying close attention to mic placement to capture the natural acoustics in the hall. The three tracks were then mixed in Ableton Live.
This is an experimental video I shot to test out a new, vintage camera. I enjoy incorporating vintage equipment into a modern project to create a unique aesthetic. The camera is from 1982 and uses a Trinicon video-tube rather than a modern CCD Sensor. Video tubes react to light much differently, creating unique effects. I captured the video directly to a computer in 10bit-ProRes to allow for color grading. First I de-interlaced the video, then edited and color graded in DaVinci Resolve.